Night of the Murdered Poets

– Nikki Giovanni

I wanted to write a poem

about Minneapolis.

I wanted to write a poem

about the murder of

Renee Nicole Good,

but I didn’t know

where to start.

Maybe I should start

on 9 November 1938

when a German diplomat

was assassinated in Paris,

and the assassin happened

to be Jewish.

In response, the SS along

with the SA and members

of the Hitler Youth destroyed

1,400 synagogues

and 7,000 Jewish owned businesses.

Hitler’s government turned a blind eye.

Hitler’s government, in fact,

encouraged it.

In the aftermath,

and I mean within two days

of the pogrom,

within two days of that

Night of Broken Glass,

30,000 Jewish men were rounded up

and sent to camps:

Buchenwald, Dachau, and Sachsenhausen.

The government used this

as an excuse to further the detainment

and murder of the Jewish community

throughout Germany, Austria,

and the Sudetenland.

They used it as an excuse

to seize land and wealth.

Or maybe I should start

in September of 1948 

when the Soviet government

began arresting Jewish activists.

By June of 1949

Thirteen men had been detained.

Thirteen men never to be seen again.

These men, these proud members

of a society that never wanted them,

were falsely accused

of espionage and terrorism.

They sat in prison for three years,

during which they were

beaten, tortured, and raped.

This culminated in August of 1952

with their murders.

On 12 August 1952,

The Night of the Murdered Poets,

all thirteen men were assassinated

in their cells, in Lubyanka Prison.

That prison still stands.

With proper approval,

you can even visit it.

You can tour the cells, the toilets,

the museum.

That prison still stands,

but those thirteen men

fell that night,

never to stand again.

Businessmen, government officials,

politicians, scientists,

and five brave poets

were never to stand again.

Or maybe I should start

In October of 1968.

Students from across

Mexico City had organized.

Students from across

Mexico City stood up to

the Partido Revolucionario Institucional.

The nationalistic, authoritarian

government, backed by

Lyndon Baines Johnson

and the United States,

moved on the demonstrators.

The nationalistic, authoritarian government,

with American weapons and American funds,

was preparing for the Olympics,

was afraid of the bad press

before the Olympics,

was in need of a quick solution.

That solution came

on 2 October 1968

as the troops entered

Plaza de las Tres Culturas

and opened fire.

Thousands were arrested,

thousands were injured,

and hundreds, with the hearts of poets,

lay dead in the square,

murdered by the US backed

Partido Revolucionario Institucional

to ensure a successful Summer Olympics.

Or maybe I should start

in September of 1973.

That’s when Pablo Neruda

was suffering with prostate cancer.

That’s when Pablo Neruda

was on his deathbed

in a Santiago hospital;

he was nearing the end.

Pinochet couldn’t wait though.

Pinochet needed his death expedited.

On 23 September 1973,

Pinochet tasked a doctor

with the strangest of jobs:

injecting poison into Neruda’s stomach.

Perhaps the most famous poet

ever assassinated

was assassinated by his

authoritarian government.

“Tonight, I can write the saddest lines,” he said.

Tonight, in the wake of Renee Nicole Good,

we can all write the saddest lines.

I’ve read his poems.

I’ve known that the life of a poet

could be dangerous.

Neruda showed us

that the life of a poet

could, in fact, be deadly.

Or maybe I should start

in June of 1989.

That’s when, after months of protests

following the death of Hu Yaubang,

students gathered in Beijing.

Demanding justice, equality, free elections,

students gathered in Beijing.

A peaceful protest,

labeled a “Counter-Revolutionary Rebellion”

in official government statements,

and soon labeled simply a “riot,”

was broken up by the military.

You see, 300,000 troops from

The People’s Liberation Army

were deployed to Beijing.

300,000 troops to quell the uprising.

By the morning of 4 June 1989

3,000 people, poets to the last,

were dead in Tiananmen Square.

By the morning of 4 June 1989,

3,000 people had been murdered

by a scared government

that knew the winds of change

were blowing.

Did you know Renee Nicole Good

was a poet? Did you know

she was a human being?

Kristi Noem called her a

“Domestic terrorist.”

Donald Trump has doubled down,

calling her “disorderly.”

He claimed she “violently, willfully,

and viciously ran over

the ICE Officer.”

Joseph Goebbels said,

“The bigger the lie,

the more they believe it.”

Hitler’s Minister of Propaganda

alive and well in The Department

of Homeland Security,

alive and well in The Oval Office.

Noem claimed Good a domestic terrorist

even though we’ve all seen the videos,

even though we’ve all stared in disbelief

as our screens showed us the murder

over and over again.

She wasn’t killed because she was a poet.

She wasn’t killed because she was a mother.

She wasn’t killed because she was Jewish, or Christian, or Muslim.

She wasn’t killed because she was a beloved family member.

She was killed because the ICE Officer fucked up.

She was killed because we’ve allowed poorly trained thugs to patrol our streets.

Almost five years to the day after the treasonous January Sixth insurrection,

she was killed because she was in the wrong place at the wrong time.

She was killed because our government,

like the Soviets, the Nazis,

the Partido Revolucionario Institucional,

the Pinochet regime,

The Communist Party of China,

is afraid.

She was murdered by a fucking piece of shit.

On 7 January 2026, she was murdered.

BRIEF BIO

Andre F. Peltier (he/him) is a Pushcart and two time Best of the Net nominated poet and a Lecturer III at Eastern Michigan University where he teaches literature and writing. He lives in Ypsilanti, MI, with his wife and children. His poetry has recently appeared in various publications both online and in print. His poetry collections Poplandia and Ambassador Bridge are available from Alien Buddha, and his collection Trouble on the Escarpment is available from Back Room Poetry, and his collection, Petoskey Stones, is available from Finishing Line Press. In his free time, he obsesses over soccer and comic books.

POEMS

  • “Aunt Pam,” “Karloff in Drag,” “After Soccer Practice,” & “Hash Bash: Ann Arbor, 1994” at Substantially Unlimited 28 April 2022
  • “Snow Drops” at Humana Obscura 1 April 2022… you can buy yourself a beautiful print copy too.
  • “Man, The Masochist,” “Doin’ that Dynamite Bridge Rag,” “Love Song for Kenosha Dead,” “At a High School Football Game,” & “Executive Toe-Jam” all up at Lothlorien Poetry Journal… 22 December 2021